What is panel judging? Understanding one component of Dressage competition judging.

What is Panel Judging?

Lilo Fore, a USEF Dressage ‘S’ (Senior) Judge and as an ‘R’ Sport Horse Judge and a FEI 5* judge, discusses in an interview for Dressage Headlines, the concept of panel judging, that I found interesting and educational. Please take a read:

The U.S. is the only country having just one judge for each national class; every other country has [panel judging] at least two or three judges for each national class. There are expenses associated with each judge include airfare and hotel, food and daily compensation. The only time there is national panel judging (not a CDI) in the United States is at yearly USDF Regional Championships and US National Championships.

A “panel” is usually comprised two-to-five judges positioned around arena, at C, M, H, B or E.

Lilo shared, “What I miss mostly that I’m not doing the FEI level, is the panel judging. We sit around the ring together all day and judge the rides and then we can really talk about it later. The other judges really keep you on your toes. They really keep you honest, straight forward and really sharpen your skills.  And that is really important.”

“We, as judges beat ourselves up regularly even if we feel there is even only a small difference. We feel terrible and the ride we judged plays over and over in our mind, (like a video replay) on why we came up with that score. With discussion though, we feel at the time we maybe had a good reason. Our marks must make sense to riders, trainers, coaches, spectators, media, but when one realizes how many times we judge an event during a year, discrepancies could occur for sure once in our judges life, (machines we are not).”

“What is really the issue is that in the National classes, we do not have enough panel judging. When the judges go through the levels, and they do sit at the different places, they still use the same methodology and terminology than when they are sitting at C. But, you can’t. You have to have methodology and terminology for each part of the arena. If you are sitting at B or E, it’s very hard to say, ‘The angle was good,’ or ‘The alignment was correct,’ or ‘the straightness was enough.’ These are the things that show you are still guessing a little bit. Because you cannot 100% say these comments from those parts of the arena. It takes time to really develop the correct terminology by sitting at each of the different places around the ring. Because what you do see is the engagement, the through-ness and adjustability within the gaits. It’s where you can really see the self-carriage and the impulsion levels. You can see if the poll is the highest point, if the nose is in front of the vertical. You can see the contact. You cannot really see if it’s not enough bend. You can see if it’s too much bend because the neck is turned over. If the horse is not doing too much in the frame it’s really difficult to see from the sides. The bend in the half-passes are hard to see from the sides, but you can see if the haunches are trailing or if the horse is not engaged enough. Or the horse is missing the support and on the forehand or the neck is too low or the horse’s frame is incorrect because the hindquarters are not engaged enough and the neck is short.  These are the things you can see from the sides.”

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Five Life Hacks For the Stable from Dressage Training Online

  1. Hairspray on the jacket seams, keeps you dry when it rains. Often water seeps through the seams of a jacket, getting us wet, when it rains. To prevent this, spray hairspray on the seams. Voila, no more leakage!
  2. Use old nylons to polish your boots. After a cleaning, skip the polish and simply rub your boots with the nylon in a circular motion and they will shine like new.
  3. Don’t have nylons? Use spit and a soft cloth and rub away. This technique works equally as well.
  4. Problem with saddle pad shriveling? Simply rewet the pad and pul the bottom of the pad down hard on both sides and let it dry naturally.
  5. Make a halter out of your lead rope. Have you ever gone to get your horse hore-in-rope-halterfrom turnout and their halter is mysteriously gone? Do not fear…make a halter from the lead rope. Look at pictures to see the technique used.


Do you have stable hacks to share? Send them to us at customerservice@dressagetrainingonline.com

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Interview with Laura Graves, Putting On A Show, Aachen 2017

Dressage Daily did a cool interview with our own, Ms. Laura Graves. Laura is in heavy competition in Aachen at this time. She REALLY wants to win. The fiercest competition at the moment, is the queen bee, Isabell Werth of Germany.

Dressage Daily visited her while training in Belgium and asked her what she thinks about Isabell Werth, what makes the CHIO Aachen the CHIO Aachen and why she had to urgently visit a music shop the first time she competed in Aachen.

Question: You and your horse’s story is extraordinary…
Graves: He was an absolute lucky strike. He came to me as a foal, he was six months old. We only bought him based on a video and now he has made me what I am today. Last year, he carried me to an Olympic bronze medal, to the World Cup Final, we have competed at the World Championships together and now I am training for the World Championships next year.

Question: Your own story is also different to that of most of the top riders…
Graves: It is easy if you are born into a family, whose life already revolves around horses. That is not so in my case and yet horses have always been part of me ever since I was born. They are in my soul. Nobody else in my family rides competitively and yet I already knew from a young age that I need horses around me.

Question: Where do you see your sporting career going? The next World Championships are in your home country.
Graves: It is fantastic that we are staging the World Championships next year. It is a great honour for us to host these championships in North America. The fans will be behind us, the stadiums will be sold-out. Any opportunity to represent my country is unique. I have succeeded in making it onto the team here in Aachen, now I just hope I will also be nominated for the World Championships team next year.

Question: You have come to Aachen as the number four in the world ranking list. What are your expectations? The US Chef d’Equipe, Robert Dover, said: “Laura really wants to win.”
Graves: (laughing) I always want to win, whether that happens is a different matter altogether. We train hard and have come to Aachen in top form. Anything less would be unacceptable for Aachen. And of course we would love to take the victory. I know they are going to be tough competitions, but that is precisely what makes us perform better.

Question: Who do you see as your biggest rival?
Graves: Without a doubt: Isabell, she is number one in the world ranking list. It is a shame that the two other German riders who rank second and third (Kristina Bröring-Sprehe and Dorothe Schneider, editor’s note), can’t compete. That is quite disappointing for me, because I would like to compete against the best opponents at the best show. We’ll have to wait and see what the actual outcome is, Catherine Dufour also put in a super performance at the Danish Championships. One thing is for sure: It is going to be an exciting show for the spectators.

Question: How do you rate Isabell Werth’s performances in comparison to the last yearsGraves: No comparison can be made there. She hasn’t just got one horse she is successful with. Because of the way she rides she succeeds in schooling one horse after another up to top level sport. She demonstrates incredible precision in the dressage arena – by the way I try to copy this in my daily training.

Question: What could perhaps make the difference between you and the other riders?Graves: Verdades and I have a special connection. We have been together since we were children. He will never say “no”, if I ask him to do something. Not every horse is like that, he is incredibly unselfish. If it comes to the crunch, that could ultimately make the difference.

Question: How do you rate the US team’s chances?
Graves: We have a very strong team this year. I am in the meantime more or less the old hand in our young team. We have two new horses competing this year, they are all very strong and are capable of scoring over 75 percent. But at the end of the day we have to actually perform well on the day.

Question: You are here in Aachen at the moment, you prepared for the show in Belgium. What do you miss most here in Europe?
Graves: I miss my dogs – and my boyfriend. It is always hard being away from the family, from the children – or in my case the dogs and the horses (laughs). The fantastic thing about Europe though is the fact that horses are part of life here. I am here with my trainer, Debbie McDonald, and I am very focused on improving my performance, that is what it is all about.

Question: You already know the CHIO Aachen – how did you find the atmosphere?
Graves: I have only ridden in Aachen once, that was in 2014, my first Grand Prix year. It was so motivating, the best riders in the world compete at the best show in the world here. It is very exciting to have been invited to compete again.

Question: Why is it competing at the CHIO Aachen so exciting?
Graves: The history of the show is incredible, it is not comparable with any other show in the world. Everything is world-class. That starts with the stables and ends with the perfect way one looks after us riders. Not to mention the spectators! They are so knowledgeable and know what our sport is all about. Dressage is a complex discipline. It is not like jumping where you know: The pole fell so the rider picks up faults. One can see how much expertise the spectators have from how well they use the “Judging-App” that the CHIO organizers offer. It is nice to see how our sport has established itself here. That really is a great feeling!

Question: And the music was missing when you competed for the first time in Aachen…Graves: Oh yes! I remember that all too well! I was actually supposed to be preparing for my competition, but everything was so impressive, I just kept looking to the left and to the right. For example, Charlotte Dujardin was also competing. After a while my trainer said: Right Laura, a little more concentration, please! But I was so haywire, I could hardly ride. Somehow or other I managed to qualify for the freestyle, but I hadn’t prepared anything, didn’t have any music either. So we drove into the city and looked for music in a small shop and had it burnt onto a CD on the spot.

Courtesy of DressageDaily to read more Dressage news go to http://horsesdaily.com

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8 Ways Dressage Rider Laura Graves Proves You Don’t Need a Big Team Behind You to Do Big Things

Laura Graves, a DTO featured trainer, is a modern day Cinderella story of sorts. Actually, her story is Cinderellaish, as is her demeanor. Cinderella was just a regular girl who turned into a princess without losing her humility and kindness. She is one of us.

In an era where the concept of hard work is often thought to be lost on today’s equestrian talent, it’s refreshing to see a rider who is notorious for doing all of her own barn work and horse care. If dedication in all aspects of your craft is the mark of a true professional, then 2016 Rio Olympic Games team dressage bronze medalist Laura Graves fits the bill to a T.

Laura and the 15-year-old Dutch Warmblood Verdades claimed their second victory of the 2017 season in the pair’s first competition since Rio, with a win during Thursday’s FEI Grand Prix CDI-W presented by Yeguada de Ymas, as well as during the “Friday Night Stars” FEI Grand Prix Freestyle CDI-W at the Adequan® Global Dressage Festival on Friday, January 27th. Not only did Laura top Friday’s leaderboard with a score of 80.72 percent, but she also received Friday’s Owner and Groom award.

Laura is used to wearing the hat of owner, groom, and rider and—more often than not—all at the same time. She attributes her impressive work ethic to her extreme Type-A personality, adding that she likes to do most things herself.

Laura didn’t have the financial support of sponsors in the beginning of her career, so she made the most of the opportunities she had, including taking the chance to develop a horse that many deemed to be too unmanageable and too unpredictable to train for the top levels. At the start of 2014, the duo wasn’t even ranked in the top 700. Six months later, Laura and Verdades found themselves among the top 10 horse and riders in the world after a 5th place finish at the World Equestrian Games that same year.

It’s been a difficult road, but the time Laura dedicated to learning “Diddy” inside and out has resulted in a whirlwind seven-year journey that captured the heart of a nation and witnessed the rise of one of the world’s leading dressage combinations.

In an interview with CNN, Graves compared her journey with Diddy to a fairy-tale. “I was Cinderella and all it takes is Prince Charming to turn your whole life around. I’ve always had my Prince Charming—just maybe he was a frog for a while. But I think it’s important to remember how hard Cinderella worked before she caught a break.”

Read on for eight of the many ways this modern day equestrian Cinderella proves that you don’t always have to have a big team in order to accomplish big things:

1. After relocating to Florida to focus on Diddy’s development, Laura found a stable she could work at in exchange for lessons while she trained with U.S. Olympic dressage rider Debbie McDonald. (P.S. She likes to clean her own stalls!)

2. Laura told Allure magazine that her background in cosmetology helps her in multiple aspects of her day-to-day horse care. One bath time tip she lives by: Don’t wash your horse with shampoo and soap every day. Like people, too much of these products can often leave horses’ skin dry and irritated.

3. Along with cosmetology, the experience of acting as her own groom also informs the products that Laura uses on her horses. Keeping the health and quality of her horses’ coats in mind, she loves to use natural coconut oil on their muzzles.

4. She always braids her own horses’ manes and tails. However, because grooms stayed at the official Olympic venue and athletes were required to stay off-site, Rio was the first time Laura allowed a fellow team member to braid her horses.

5. As we all know, performance matters most, but an immaculately turned out horse doesn’t hurt either. Laura prides herself on her ability to clip her horses evenly and without marks.

6. It was just last year in 2016 that Laura enlisted the help of a professional groom for the first time: enter super-groom Alex Levine-Nevel.

7. After every show, Laura comes back to the barn to show her appreciation for her horses’ work by personally treating them to apples and carrots.

8. The motivation behind Laura’s approach to her career is perfectly summarized in a conversation she had with Jeff Haden of Inc. magazine: “You can see an amazing reflection of who we are as people in horses. That’s how I look at my sport and my business. You only get back what you put in.”

Photography by Erin Gilmore for Noelle Floyd and Noelle Floyd Style

Source: Ollie Williams for CNN, Seunghee Suh for Allure Magazine, and Jeff Hayden for Inc. Magazine

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Are Dressage Riders Over Tightening Nosebands?

I often get feedback on videos and in regards to specific ways of training, tack and horsemanship. I’ve often gotten questions regarding nosebands and tongues and so I found this an interesting and important read that I wanted to share.

The bottom line, is that you should be able to stick 2 stacked fingers under the noseband, to ensure it is fastened properly and humanely.

At the 2016 International Equitation Science Conference in Saumur, France, on 23 – 25 June 2016, researchers Doherty, Casey, McGreevy and Arkins presented their investigation into noseband tightness levels on competition horses. They measured noseband tightness in 750 horses competing in dressage, eventing and performance hunter classes internationally.
Forty four per cent of nosebands were extremely tight and only 7% were fitted to the recommended tightness level of the equivalent of two fingers. Tight nosebands may cause uncomfortable levels of pressure and pain in horses and are difficult to justify on welfare grounds.

Nosebands are used by riders to prevent the horse from opening its mouth, increase control and, in some cases, to comply with the rules of competition. Compared with standard cavesson nosebands, the crank noseband provides a mechanical advantage of 2, i.e. it doubles the tension for a given force used to tighten it. Possible negative consequences such as discomfort, pain or tissue damage are of concern to equine scientists and the public.

Their study sought to identify the level of noseband tightness applied to competition horses. Using the ISES taper gauge, noseband tightness data were collected from 750 horses competing in national and international competitions in eventing (n=354), dressage (n=334) and performance hunter (n=62) competitions in Ireland, England and Belgium.

Data were collected immediately before or after the performance. Using the taper gauge as a guide, results were classified according to the number of ‘fingers’ that could fit under the noseband at the nasal planum, and assigned to five groups: 2 fingers; 1.5 fingers; 1 finger; 0.5 fingers or zero fingers. Different tests were applied to compare noseband tightness levels between disciplines and horse age. screen-shot-2017-02-27-at-9-39-43-am

Seven per cent of nosebands were fitted to the recommended 2-finger noseband tightness level while the remainder had nosebands fastened tighter, with 44% fastening it too tight for even the tip of the taper gauge to be inserted beneath the noseband (zero fingers). Twenty-three per cent of nosebands were at 1 finger tightness and 19% at 1.5 fingers.
Significant differences emerged between disciplines with the highest levels of noseband tightness being among eventers, followed by dressage competitors with performance hunter classes being lowest. Horse ages ranged from 4 to 19 years. Noseband tightness did not differ significantly with age. Comparison of noseband tightness levels between four year old horses (n=80) and five year old horses (n=59) found slightly higher levels of noseband tightness in the five year old horses, but the difference was not significant.screen-shot-2017-02-27-at-9-40-33-am

The prevalence of such tight nosebands aligns with the ISES position statement calling for the resumption of noseband checking and should trigger further research into the behavioural and physiological implications of tight noseband usage for horses. The current lack of guidelines and regulations regarding permitted noseband tightness levels permit the use of noseband tightness levels that may be detrimental to horse welfare.

Source: ISES – Photos © Astrid Appels – Silke Rottermann – Barbara Schnell

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A Dressage riders suggested list of ideas worth thinking about in 2017 by Reisa Bonetti-Sullivan

I just want to start out by saying that the featured image above, was purely used as research to see the response rather than an actual idea I am suggesting we think about. LOL. Both pictures posted are not affiliated with DTO but used for educational purposes.

I don’t usually make resolutions at New Year’s. Why, I don’t know. As I sit, thinking about it, I suppose it’s because I feel like I should be making changes as needed any day of the year. dressage in the field
However, I am going to take this opportunity to put thought into what real changes I would like to put into motion around my equestrian life.

1. I will be kinder to myself, giving myself more credit for the riding I do right
2. I will be stricter about not letting my horse lean on the bit, not even for a second.
3. I will go into each riding session with two exercises that I will use for the purpose of getting him sit behind
4. I will go into each riding session with two exercises that I will use for the purpose of getting him quicker behind
5. I will spend more time training outside of the court and less time inside

Each person will have their own unique list of course. But taking a few minutes engaging in this, has brought value. Give it a try.

Which brings up an interesting point; why don’t we hack out AND work on suppling, lateral work, transitions, flying changes, pirouettes, etc., etc.? We hack out as an opportunity to give our horses and ourselves, a refreshing break, to languish and relax. However, if the footing is good, what is stopping us, from actually using that as a schooling session? After all, Dressage stems from the work the military did with their horses, teaching them to perform movements intended to evade or attack the enemy whilst in battle. Battle certainly didn’t take place inside a Dressage court, thus they used these movements anywhere. While we have of course learned much over the years and operate in a manner that which protects our horses health and welfare to the maximum extent, is it wrong to school outside of the arena? If the sun is out and we have access to a beautiful trail or grassy field with sound footing, why don’t we school there instead? Hmmmm…an idea worth thinking about.

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How to get your horse on the bit

I was recently asked by a member for a video recommendation, to help them understand how to get their horse on the bit. They felt that our videos that addressed this did not actually start at square one. In my search for what this customer asked, alas, they are correct, we having nothing that begins at ground zero. Until we create that, the following is my most helpful and simplistic advice.

The goal is to get your horse to push from behind, engaging his hind legs, reaching them under his belly where he can really activate the hind end which engages his back and moves the energy over his poll and you can feel this energy by way of light pressure on the bit evidenced by a feelings of light weights in your hands while holding the reins. You want about a pound of weight in each hand. It is with this lightness and feel of connection on the rein that you allows you to administer a few subtle aids such as a direct rein aid or indirect rein aid, half halts, halts, rein-backs.

Getting your horse “on the bit” as required in Dressage, means getting that connection from hind leg to the bit, felt in the hand. To obtain this, you first have to get your horse to move actively forward. You then need to make sure he maintains his rhythm, like the never changing tick tock of a clock. Once this is achieved you are ready to get him on the bit by giving him a light surge with the calves to say go forward while your hands are in fists, thumbs on top, holding steadily, then you immediately collect that energy with the outside hand by slightly tightening your fist and then you give a tickle aka; supple with the inside hand, then you let your tightened fist loosen a bit, both hands are back to their fisted rein hold, asking him to stay connected, hind legs active and you feel steady contact on the bit. With some horses you will need to do this every few strides, with some you may have to hold it longer than approximately 3 seconds or so, some will be easy and you will simply keep your steady contact with thumbs up and straight line, light fist, no loop in the rein from the bit to the hand, allowing your elbows to move like hinges with his rhythm so you don’t accidentally shut him down, by giving a halt aid. This action, of keeping a firm outside rein and tickling with the inside, sometimes both sides and giving him a little squeeze with the calve to say lets go, but remind me that your recycling that hind end energy over your top line by letting me feel your constant lightness in my hand, is all part of getting him on the bit and keeping him on the bit.

In the very beginning, you may have to supple more to show them the way. Sometimes, you may have to do more than lightly tickle (pinky movement). You may have to use the bit like a massaging hand to get them to relax and be steady and all the while you must remind him that he must still go forward. You must remember, to supple or massage, keep the forward and then you must relax the aids, with your goal being that he will remain in self carriage, aka; doing it on his own. This is of utmost importance, otherwise you may end up with a horse that is too heavy on the bit, and relies on you to constantly be keeping him on the bit and it will feel like you have to weight lift while you ride. Keep a picture in your mind regarding the direction of energy; a horse with his nose in the air, can’t recycle energy or thrust forward from behind if the energy from behind moves upwards into the air, it is then gone. A horse that hides behind the bit, or ducks behind, can’t recycle that energy if he makes a sharp u-turn at the poll, it dissolves into his chest. Moving actively forward from behind with the poll at the highest point, nose on the vertical is the key. Creating an even loop or oval from back to front, is what you want to strive for. As your horse progresses, so will his amount of engagement from behind and with that his front end will be able to lift as his hind end begins to sit.

This my friend, is the goal.

Keep in mind, I am not a certified trainer or coach, I am however blessed with having been able to watch over 60 of the world’s top trainers work with thousands of their horses and students on this subject and I am sharing what they do in a very simplistic amateur friendly way. I too am an avid and active rider and deal with these issues too. I hope that this has been useful and has served you.

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Behind the Scenes Interview of Reisa Bonetti-Sullivan, for USDF Connection, November, 2016


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The illusive half half, of utmost importance for all equestrians, hear it many different ways.

Hearing things a different way: the illusive half-halt

The section of my book this article stems from is about an epiphany I had when I was “practicing” walking after my accident. When I’d just begun to learn to walk with a cane instead of leaning on a person, I used to walk up the sidewalk with my husband on guard. During one of these walks, it struck me that training my body in therapy is starkly similar to training it in riding and all the same rules apply.

For instance, simply hearing the same correction described in a different way can help. In therapy, I’d always been told to take a longer step with my right leg, but try as I might I couldn’t make my body do it. Then my therapist told me to leave my left leg on the ground longer, and what do you know, thinking of leaving my left leg on the ground longer caused my right leg to take a longer step by necessity.

A rider must also find what she needs to think of in order to achieve the desired result, and, just like in my therapy example above, that thing often isn’t about the change she wants to make itself. For most of the corrections I want to have happen, I’ve found terminology that will achieve the desired result with most students. However, I always need to be willing to alter my language.

For instance, when I want the student to make a proper half-halt–one that doesn’t just slow the horse down but shifts his weight back and increases his power–usually telling her to get her horse’s “butt down!” will achieve the desired result: her core tightening; her seat sinking down; her weight shifting more onto her butt without her actually leaning back; her legs telling the horse’s hind end to keep going while her arms tell his shoulders to wait. But if I see that the phrase butt down isn’t achieving its purpose, I need to find another phrase that does.

Sometimes telling her to think of riding the horse’s hind feet to his pole does, sometimes telling her to tuck her tailbone in does, or simply to sit in him, not on him. Other times I find that I need to describe what I want her body to do in a way that she can relate. To do this, I have her stop and look at me, and I try to show her what I mean by something I have termed the everything half-halt. I sit up very tall and pat the upper part of my belly–my core–and say, this tightens. Pat the lowest part of my back and say, this kind of roaches. I put my hands (which are in riding position) down quite low and say, the hands come down and the elbows tighten–they don’t pull, they just stop following–for just a moment while the tailbone sinks into his back and the legs tell him to go forward.

These variances of the “butt down” command work with a rider who has previously felt a true half-halt, but for a rider who never has, I need to give her an exercise that will make one happen naturally so that she can feel what her body does during the natural half-halt and then mimic it when she needs to deliver one. Simply doing trot/walk/trot transitions provides the clearest sensation in both the rider’s body and the horse’s reaction. My own students are accustomed to me insisting that they must make the gait they’re transitioning from perfect before transitioning to the next, so they often spend too many strides in the walk trying to make sure it’s perfect, but I tell them in this exercise to think of it as one movement: trot/walk/trot. They must barely get into walk before trotting out of it.

The important thing in this exercise isn’t the transition walk to trot, it’s that the effect of the trot/walk/trot provides the feeling of what an actual half-halt is: essentially it’s making the shoulders wait and the haunches catch up. The rider asks for the walk, which will stimulate her core, but by knowing she needs to trot right away, she will keep the horse thinking forward. The transition to walk makes the shoulders wait, the transition to trot makes the haunches push off, and the rapidity between the two brings the haunches closer to the shoulders thus creating the uphill balance and increasing the power.

Once the rider has memorized the feeling that her body has during the exercise and has achieved the horse’s uphill balance, I have her trot and plan to walk, but as soon as he shifts his weight to his hind end and elevates his pole, trot on. She may walk or she may just almost walk, as long as the balance shifts back.
When she consistently doesn’t need to go all the way to walk, I have her not change the tempo at all, just do the everything half-halt. She needs to be prepared though, that any time the half-halt doesn’t make the desired difference to the horse’s balance, she needs to return to actually coming to walk to reiterate that that half-halt means something.

I tell students that this half-halt reminder of keeping the uphill balance is something that every GP continually uses everyday. We’ll do it without thinking every few strides. A viewer won’t see them, but they’re a constant reminder to keep the uphill balance and will be used in between movements, during them, and to prepare for them.

Written by Courtney King-Dye,

To get more on Courtney please purchase her book, Courtney’s Quest, Courtney’s Quest“>click here.

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Selling your Dressage horse? Should you look for quality or quantity of traffic?

It seems that in order to succeed at marketing of your Dressage horse for sale, both quality of traffic and quantity are needed.

High quality traffic to a site where you list your horse for sale is essential. Quality of visitor over quantity of visitors, is king in this scenario.

The importance of content on a site and how it influences ones world, is what drives visitors to engage. DTO reigns supreme in terms of engagement compared to 90% of the equestrian websites that exist. Our content is compelling and game changing to our members thus they spend real time on the site. In fact our members spend on average 38 minutes per session on DTO. That is abnormally high for any website but is proof that our content is compelling and important to them.

Have you ever been watching a show, event, movie, video, in which you are very interested however your mind wanders for a moment, perhaps you check your email, send a text or look around the rest of the site while watching what your interested in. Our members do this too, often scrolling on over to the Horses For Sale tab, as they watch and listen to the training video in the other open screen. Its natural, normal and happens.

So if you would like to expose your Dressage horse for sale to an audience of engaged, riders, who are serious about their equestrian life; so engaged that they spend time and money on expanding their learning and knowledge as a DTO member, then you may want to post your horse on DTOs Horses For Sale page. You have nothing to lose and everything to gain.

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